Home

The Underlying Undead Dilemma

image by Veronica V. Jones

Trusting The Undead: A Zombie Omnibus

Leading men from The Walking Dead and Zombieland.
Timothy Oliphant and Radha Mitchell from The Crazies
A. J. Bowen and Scott Poythress in The Signal

The horror genre is as old as literature itself, and some of the first movies ever put to film featured the undead. By some counts, there are twice as many zombie films as vampire films. Armchair shrinks will tell us bloodsuckers fulfill our psychosexual needs, but why are we so fascinated by the ambulatory deceased? It comes down to a simple matter of trust.

Last year two hot properties emerged to take zombies in interesting directions.
Zombieland added a new dimension of undead humor, building on the success of Shaun of the Dead, while The Walking Dead made the zombie apocalypse an incredibly personal experience. They both share the same moral: placing your trust in others, even complete strangers — and in turn being worthy of trust — is critical for survival. This simple truth is at the core of every zombie story ever told, but there are a few… refinements.

The shambling infected citizenry are the initial antagonists in The Crazies, but the true villains of the film are the military and government agents who not only unleash the mind-destroying plague, but are also willing to incinerate an entire town to hide their ineptitude. Man-made biological weapons are a common prologue to zombie films, but the military industrial complex was never a more eager villain than portrayed in Crazies.

The most frightening monster of all is the creature that lurks beneath your very own consciousness, as revealed in The Signal. The city of Terminus awakes to an odd television broadcast, that slowly turns its viewers into delusional, paranoid killing machines. As a small group flees to safety, they begin to doubt everything they see and hear, including each other.

Zombies present the ultimate cautionary tale, a thoroughly modern end-of-days. Their horrible moans and piercing screams remind us that without a healthy community, without an honorable government, or without coming to terms with our own dark natures, civilization is well and truly doomed.

Written by in March of 2011. Last edited March 2019.

Related Features

Patricio Marcelo Balanovsky

A dour looking man with large white wings in a hoodie smokes a cigarette. An sexy yet industrial robot woman closes her eyes. A muscular man with glowing eyes and intricate tattoos stands ready.

Casting Light on Vampires in the Shadows

Taika Waititi as Viago, aged 379 Jemaine Clement as Vladislav, aged 862 Jonathan Brugh as Deacon, aged 183 Ben Fransham as Petyr, aged 8,000

Winona Nelson

A winged woman with long dark hair soars through the sky. A pale regal woman in dark robes, an elaborate headdress, and bloody hands floats A young man reaches into his reflection in the water, and the reflection reaches back. An enraged vampire -- surrounded by fire -- bares their fangs and raises their blade A slender woman hides her face behind a passive mask, with a wall full of other masks behind her. A slender woman in a flowery dress walks with a large hyena.

Are You Missing out on Knowing?

Nicolas Cage as Joh Koestler and Rose Byrne as Diana Wayland. Strange silent men surround the Koestler house. Chandler Canterbury as Caleb Koestler watches a firestorm approach his window.

Underworld Evolution Delivers Undead Ultraviolence

Kate Beckinsale as the lovely and lethal vampire Selene Kate Beckinsale and Scott Speedman as Selene and Michael share a tender moment.

Comments

Be the first to comment!